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Following Information were retrieved from Amazon Web Services at Sat Nov 15 06:30:00 2008 GMT.
Please be aware that the Information may be updated at the Amazon Home Page and vary from this one.

Free

Amazon ASIN: B0002RUAAQ

LowestNewPrice CurrencyCode USD
LowestNewPrice FormattedPrice $8.62
LowestUsedPrice CurrencyCode USD
LowestUsedPrice FormattedPrice $5.50
TotalNew 37
TotalUsed 11
TotalCollectible 0
TotalRefurbished 0

Product Details

ArtistChris Dodd
ArtistFiona Pears
ArtistAnthony Chadney
ArtistBen Crawley
ArtistChristopher Robson
ArtistRaoul Platt
BindingAudio CD
EAN0724355782328
LabelEMI Classics
CurrencyCodeUSD
FormattedPrice$16.98
ManufacturerEMI Classics
MPN57823
NumberOfDiscs1
ProductGroupMusic
PublisherEMI Classics
ReleaseDate2004-10-05
StudioEMI Classics
TitleFree
UPC724355782328

Editorial Reviews

Amazon.com
English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John Diliberto

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