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Following Information were retrieved from Amazon Web Services at Sat Jan 10 04:03:52 2009 GMT.
Please be aware that the Information may be updated at the Amazon Home Page and vary from this one.
Bach - The Keyboard Concertos Vol 1
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Amazon ASIN: B0009K9P7K
LowestNewPrice CurrencyCode USD
LowestNewPrice FormattedPrice $12.52
LowestUsedPrice CurrencyCode USD
LowestUsedPrice FormattedPrice $10.00
TotalNew 14
TotalUsed 6
TotalCollectible 0
TotalRefurbished 0
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Product Details
| Artist | Bach |
| Artist | Angela Hewitt |
| Artist | Richard Tognetti |
| Artist | Australian Chamber Orchestra |
| Binding | Audio CD |
| EAN | 0034571173078 |
| Format | Import |
| Label | Hyperion UK |
| CurrencyCode | USD |
| FormattedPrice | $23.98 |
| Manufacturer | Hyperion UK |
| NumberOfDiscs | 1 |
| ProductGroup | Music |
| Publisher | Hyperion UK |
| ReleaseDate | 2005-06-13 |
| Studio | Hyperion UK |
| Title | Bach - The Keyboard Concertos Vol 1 |
| UPC | 034571173078 |
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Editorial Reviews
Album Details
Angela Hewitt Performed and Recorded with the Australian Chamber Orchestra in February 2005, a Perfect Collaboration Resulting in Two Volumes of Bach Keyboard Concertos.
Amazon.com
This delectable collection of Bach Keyboard concertos is so unsullied by tradition or a point to prove that the listener is left refreshed. Angela Hewitt plays with such warmth and song-like smoothness in the slow movements that they are little islands of repose in the midst of Bach's perky outer movements, which Hewitt and conductor-violinist Richard Tognetti launch with unmatched verve, rhythmic thrust and quick-but-never-rushed tempi. The Fifth Brandenburg and the Triple Concerto also call for a violin and flute and Togneti and Alison Mitchell are ideal partners to Hewitt: the give and take seems simply like great "jamming." Every note is clear and each soloist (and the fine Australian Chamber Orchestra) adds ornaments which are pert and welcome. The big cadenza in the Fifth Brandenburg is like liquid--beautifully flowing and well-articulated by Hewitt--and while the virtuosity is never in doubt, she never draws attention to herself. She plays a modern piano and the Orchestra play modern instruments, but early-music performance practice and style are very much in evidence (including a harpsichord in the continuo section). This is Bach playing of the highest order and splendid entertainment. --Robert Levine
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